Review: “Divorce in the Black” – A Tyler Perry Film Analysis

Tyler Perry’s latest film, “Divorce in the Black,” is sparking conversations about the quality of Black cinema and Perry’s responsibility as a filmmaker. The movie, featuring Meagan Good, Cory Hardrict, Debbi Morgan, and Richard Lawson, follows the tumultuous relationship between Ava and Dallas, played by Good and Hardrict, as they navigate divorce and a thrilling turn of events.

The film delves into the complexities of love, family disapproval, and the struggle to reclaim one’s happiness. Despite some minor inconsistencies in the storyline, the performances by Lawson and Hardrict shine, making it an engaging watch. The tension between Ava’s and Dallas’ families adds an extra layer of drama, setting the stage for a gripping narrative.

Critics have noted a shift in Perry’s recent films, including “A Jazzman’s Blues” and “Mea Culpa,” towards more cohesive storytelling and stronger performances. “Divorce in the Black” is no exception, showcasing Perry’s growth as a filmmaker and storyteller. While some may still have reservations about Perry’s work, this film proves to be a step in the right direction.

As audiences engage with “Divorce in the Black,” the conversation around Tyler Perry’s films is evolving. With a mix of drama, suspense, and solid performances, the movie offers a compelling viewing experience. Whether viewers are longtime fans or critics of Perry’s work, “Divorce in the Black” presents a new chapter in the filmmaker’s career, one that may surprise and intrigue audiences.